Mixing Work

Matt uses MOTU Digital Performer with additional processing from Waves, SSL, Universal Audio, Flux, SoundToys, Lexicon, Slate Digital, and Audioease.

Film, TV Scores I
(Lemon Films, John Bisharat, Lifetime Television, Disney Channel, MTV, Disney Channel, True Love, Lifetime Television, Universal Studios, Lego Films, Lemon Films)

Film & TV Scores II  (A&E, A&E, CBS, ABC Family, CBS, CBS, CBS)

Film & TV Songs   (D.Lawrence, MTV, MTV, Sony Pictures, Disney Channel, BSX Records, Sony Pictures, Sony Pictures, Lifetime Television, Disney Channel)

TV Commercials   (IBM, IBM, IBM, Suave, Hot Wheels, Morgan Stanley, Sprint, Mattel)

Ashley Faatoalia “Summertime”

Big & Rich “Sweet Mary Jane”

Brian Stuart Fox “Life”
(Mixing, Mastering)

Star Trek: Music From The Video Games BSX
(Starfleet Academy, Voyager Elite Force, Voyager Main Title, Legacy-Kirk’s Theme)

Star Trek TNG, Encounter at Farpoint
(m94 “Revealed/Reaching Out”)

Disney Teen Beach Movie
(5M49, 5M53)

Common Law USA Network
(Main Title, 108_4m29)

Gary Lynn Floyd “Music in the Meaning”

Kyle Nasser “Shadow Army”

Mandrill “We Gotta Get It”

Marie Digby “Kings and Queens”

Michael Tucker “For Mark”

Novas Trio “Gravity’s Empire”
(Mixing, Mastering)


Matt LaPoint works in Los Angeles in the fields of recording technology, music production, and education. He is the West Coast Representative for MOTU, a music technology company.  As a recording engineer, Matt works on a wide range of projects from score mixes to full album productions. He teaches sound design in the film department at Art Center College of Design and works as a freelance studio consultant. Matt draws on his background as a composer and musician in all facets of his work.

Matt’s production work can be heard on scores and songs for Vertical Entertainment, Disney, CBS, Warner Brothers, Universal Studios, A&E, BSX Records, Lifetime Television, USA Network, Threshold Animation Studios, BMG Production Music and others.

Matt can be contacted at:  Email Matt